Just got done watching it. I originally put it in while I was reading Sea of Glory (which is about the American Exploring Expedition of 1838-42 in the South Pacific/Pacific Northwest), but wound up getting caught up in the movie.
Peter Weir did an excellent job making it. Of course, it seems like all his films are excellent. He doesn't make popcorn movies, but he makes good movies that do entertain you. So far, I've only seen his earlier stuff like Gallipoli, The Year of Living Dangerously, and Witness, but all of those were really good. Someone would have money in the bank if they could somehow combine the way he directs and the way Spielberg directs. I'd say those two are my favorites and they both lack something that the other does well. For instance, Weir doesn't use music as well as Spielberg. Spielberg's characters don't develop relationships with each other as well as Weir's do. Weir doesn't storyboard as much as Spielberg does. It seems like every frame in a Spielberg movie is a picture perfect. For instance, in Jaws, when Roy Scheider's throwing out the chum and the shark jumps out of the water, there's a shot when he stands straight up, scared.
Weir doesn't really do that.
Anyway, back to M&C. It's a lot like Star Trek. Mostly Star Trek II, but you can relate a lot of the characters and relationships to ST.
--Captain Aubrey's love of commanding a ship, appreciation for the arts, and sense of exploration are like Captain Picard's.
--Both ships have Captain-doctor friendships, where both officers are accountable to each other.
--Both ships end with "-prise."
--Whales are involved (Khan quotes Moby Dick and the Surprise becomes a whaling ship).
--Both ships discover new life at locations starting with a G, and find the enemy ship on the other side of it.
--Both ships are attacked by surprise and crippled, injuring young crewmen that a high-ranking officer is close to. --Both ships' sight of their enemy becomes clouded due to the environment of the battlefield.
--Both friends of the captains suffer near-fatal injuries. (Star Trek III, folks...did he really die if he came back to life?)
--Both Kirk and Lucky Jack are hunted by their opponents.
--Both "engineers" are fat and white-headed.
Now...M&C is based off a series of books. So I'm wondering which came first...the chicken or the egg. Did Nicholas Meyer borrow from Patrick O'Brian or did Weir borrow from Meyer?
Peter Weir did an excellent job making it. Of course, it seems like all his films are excellent. He doesn't make popcorn movies, but he makes good movies that do entertain you. So far, I've only seen his earlier stuff like Gallipoli, The Year of Living Dangerously, and Witness, but all of those were really good. Someone would have money in the bank if they could somehow combine the way he directs and the way Spielberg directs. I'd say those two are my favorites and they both lack something that the other does well. For instance, Weir doesn't use music as well as Spielberg. Spielberg's characters don't develop relationships with each other as well as Weir's do. Weir doesn't storyboard as much as Spielberg does. It seems like every frame in a Spielberg movie is a picture perfect. For instance, in Jaws, when Roy Scheider's throwing out the chum and the shark jumps out of the water, there's a shot when he stands straight up, scared.
Weir doesn't really do that.
Anyway, back to M&C. It's a lot like Star Trek. Mostly Star Trek II, but you can relate a lot of the characters and relationships to ST.
--Captain Aubrey's love of commanding a ship, appreciation for the arts, and sense of exploration are like Captain Picard's.
--Both ships have Captain-doctor friendships, where both officers are accountable to each other.
--Both ships end with "-prise."
--Whales are involved (Khan quotes Moby Dick and the Surprise becomes a whaling ship).
--Both ships discover new life at locations starting with a G, and find the enemy ship on the other side of it.
--Both ships are attacked by surprise and crippled, injuring young crewmen that a high-ranking officer is close to. --Both ships' sight of their enemy becomes clouded due to the environment of the battlefield.
--Both friends of the captains suffer near-fatal injuries. (Star Trek III, folks...did he really die if he came back to life?)
--Both Kirk and Lucky Jack are hunted by their opponents.
--Both "engineers" are fat and white-headed.
Now...M&C is based off a series of books. So I'm wondering which came first...the chicken or the egg. Did Nicholas Meyer borrow from Patrick O'Brian or did Weir borrow from Meyer?
DISCLAIMER: This is just armchair observation, not the result of many hours of deliberate study of the subject. I'm by no means an expert, but just an ignorant hick who's putting his two cents in. For that and a nickel, you can have a cup of coffee.