Enter friend and patron into the gallery of great dinosaur art. Because you clicked this thread I trust you are of discriminating taste, and as such you are welcome to contribute other works of dinosaur art. If, however, you take exception to the art presented in this gallery, please leave before defacing the thread.
I will start the thread off with Dinosaur Apocalypse by Keith Malinovsky.
You can clearly see Keith's classical training in the T-rex's Michelangelesque pose, showing a lyrical dynamism and a defiant yet apprehensive cock of the head to the heavens. Keith also borrows heavily from Michelangelo's renaissance rival Leonardo Da Vinci, particularly in his use of chiaroscuro to highlight the apocalyptic panic of the scene, and his levelheaded approach to symbolism.
However, whereas Leonardo's symbolism was always broad, Malinovsky's is almost oversubtle. The juxtapostion of dinosaurs both large and small illustrates the jurassic social heirarchy, and speaks to us in our post-apartheid society; however, the focal point of the painting reveals that the wee dinosaurs are the first to be vaporized by the comet bolt storm, creating implications, which, if true, are almost too much to bear.
Above is a photo of Keith giving us his famous whiskered smile as he fondles one of his many little creations. Aside from being a reknowned artiste, gentle-giant Keith is the janitor at a Kangaroo Joe Children's Soft Playcenter, as well as the fourth place finisher in the chubby Stalin category in a lookalike contest at a local fair.
The above photo was taken of Keith shortly before he received recognition from the Dinosaur Art of Northamerica Group as the Most Improved Northeastern Dinosaur Artist of 1999. Sadly his victory was shortlived as his only child Tyranno was scalded to death in a fight at a neighborhood clambake. Most importantly, despite all his tribulations, Keith's passion for depicting accurate dinosaur anatomy has not died.
I will start the thread off with Dinosaur Apocalypse by Keith Malinovsky.
You can clearly see Keith's classical training in the T-rex's Michelangelesque pose, showing a lyrical dynamism and a defiant yet apprehensive cock of the head to the heavens. Keith also borrows heavily from Michelangelo's renaissance rival Leonardo Da Vinci, particularly in his use of chiaroscuro to highlight the apocalyptic panic of the scene, and his levelheaded approach to symbolism.
However, whereas Leonardo's symbolism was always broad, Malinovsky's is almost oversubtle. The juxtapostion of dinosaurs both large and small illustrates the jurassic social heirarchy, and speaks to us in our post-apartheid society; however, the focal point of the painting reveals that the wee dinosaurs are the first to be vaporized by the comet bolt storm, creating implications, which, if true, are almost too much to bear.
Above is a photo of Keith giving us his famous whiskered smile as he fondles one of his many little creations. Aside from being a reknowned artiste, gentle-giant Keith is the janitor at a Kangaroo Joe Children's Soft Playcenter, as well as the fourth place finisher in the chubby Stalin category in a lookalike contest at a local fair.
The above photo was taken of Keith shortly before he received recognition from the Dinosaur Art of Northamerica Group as the Most Improved Northeastern Dinosaur Artist of 1999. Sadly his victory was shortlived as his only child Tyranno was scalded to death in a fight at a neighborhood clambake. Most importantly, despite all his tribulations, Keith's passion for depicting accurate dinosaur anatomy has not died.