[So I read through my post and it sounds like the most pretentious piece of intellectual tripe ever. >_< Sorry]
I'm a huge Fitzgerald obsessionist and I'm really into deep (mostly language/writing-wise, but content-wise as well) stuff and his fantastically artful use of imagery, symbolism, metaphor, etc. as well as the resulting openness to interpretation of the message he wanted to convey vs meanings he might not have intended but that people will take notice of anyways. I've read almost all of his novels and short stories (never read Tender is the Night) Incidentally, I loved "The Curious Case of Benjamin Button" (the movie) because although it had almost NOTHING to do with Fitzgerald's original short story, it did a really good job of capturing the aforementioend Fitzgerald-esque feel.
I also really love Tim O' Brien's The Things They Carried (for much the same reasons ... the subtle and not-so-subtle implications in that book about the usefulness and power of storytelling in dealing with both national grief/strife/unrest and personal haunts are awesome), but I haven't read any of his other books (I don't know if there are any other well-known ones by him ... forgot to look into it >_<)
In other words, I tend to like books not necessarily for the plot but for the writing and its expressive ability (and as a result when I write, it's usually short stories that are in the same vein rather than ones that are very plot-centric ... although I've been TRYING to balance it out with portions that are less writing-heavy and are just fun to read plotwise so that it doesn't become a dry prentetious piece of crap).
HOWEVER -- some books that I really had to force myself to finish that fall into the above category:
-Mrs. Dalloway by Virginia Woolf
-Beloved by Tony Morrison (it's a good book, I guess, but there are some chapters in there that go to the extreme with what I was talking about and just make NO SENSE at all / I'm too stupid to understand ... there's a chapter that has NO PUNCTUATION in it and is just ... @_@. Also, they constantly talk about having sex with cows which I thought was sort of weird)
And by contrast, books that are NOT extremely writing-deep or are writing-deep but are strongly plot-centric / just tell a good story:
-The Abhorsen trilogy by Garth Nix
-Pride and Prejudice
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