Okay. It's like in Pulp Fiction, or that Simpons episode '22 Short Films About Springfield'.
1. We each invent a character or characters and write a little prologue piece to nail the setting and the characters.
2. With the setting established, we then proceed to write our individual stories.
3. We write scenes that hop backwards and forewards in time, explaining details and looking from a different point of view. Major characters in one story become minor characters in others.
Example:
I invent two typical hitmen characters (clad in black suits, no less), and send them out on a hit. Comickook invents a crime lord character, and makes him my the boss of my hitmen. He then writes a scene taking place after mine (but not nessicarily directly after) where the hitmen return to their boss for congradulations on a job well done, but as a twist he says that they are now wearing shorts and t-shirts. Then someone else takes the cue and writes a scene explaining why the two mobsters changed their clothes, and in the process introduces his or her character (though he focuses on his character; the hitmen changing outfits isn't the point of the story, it's just something that is neatly explained).
Basically, we all write short stories about the characters we invent (I mean this in the singular form, i.e. the characters I invent play the main roles in my story, your characters play the main roles in yours), and in the end the short stories come together to form one large story.
But don't actually do that hitman thing - it's from Pulp Fiction.
[This message has been edited by Tracer (edited August 14, 2002).]
[This message has been edited by Tracer (edited August 14, 2002).]
COUCHMAN IS BACK BABY