I always thought the tube in the Tonelab was more of a gimmick than anything. Turns out, of course, that I was wrong.
In search of a decent hi-gain rhythm sound, I went out and bought two cheap tubes for fun. The JJ ECC832 and the Groove Tubes 12AX7-C. I wanted a GT Mullard reissue but couldn't find any.
So when I get home, I anxiously pop the small plastic cover off of the top of my Tonelab, plug a new tube in, give it 30 minutes to warm up, and try it out. I must say I am pleased with both of these tubes.
Here's a clip of me (badly) playing some simple rhythm/palm muting stuff with the different tubes. I start off with the original stock Electro Harmonix 12AX7 Russian tube, then with the JJ and then to the GT. On all three passages I use the exact same patch on the Tonelab, without any changes whatsoever, and I play my Ibanez SZ with stock pickups, in the bridge position. The JJ seems to clean up the bottom end a bit, and the GT makes a huge difference. Everything seems nice and tight with the GT.
Anyone else here use a Tonelab?
In search of a decent hi-gain rhythm sound, I went out and bought two cheap tubes for fun. The JJ ECC832 and the Groove Tubes 12AX7-C. I wanted a GT Mullard reissue but couldn't find any.
So when I get home, I anxiously pop the small plastic cover off of the top of my Tonelab, plug a new tube in, give it 30 minutes to warm up, and try it out. I must say I am pleased with both of these tubes.
Here's a clip of me (badly) playing some simple rhythm/palm muting stuff with the different tubes. I start off with the original stock Electro Harmonix 12AX7 Russian tube, then with the JJ and then to the GT. On all three passages I use the exact same patch on the Tonelab, without any changes whatsoever, and I play my Ibanez SZ with stock pickups, in the bridge position. The JJ seems to clean up the bottom end a bit, and the GT makes a huge difference. Everything seems nice and tight with the GT.
Anyone else here use a Tonelab?