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ForumsMusic Discussion and Showcase → obsession.
obsession.
2006-06-12, 11:30 AM #1
this has been digging at my mind since yesterday. but i figure it's really geeky when you think of it. it's a simple question actually.

take a 7#9 chord. it has 1 3 5 b7 #9.

#9 = the minor third.

logically, wouldn't you be refer to the intervals as 1 b3 5 b7 b11 ? so it would become a min7b11 chord. which is just a bit more complicated even though it has the same notes and same root.. (unless i got lost somewhere)

and it's really strange when you switch the intervals so it goes (example )

E G D G# in order instead of E G# D G

it sounds HORRIBLE.

obviously in the proper context it would work (even then, doubtful). i'd say that it's a strictly major type chord and that since the major third is an important tone in there, you just can't picture the #9 as a minor third since it'll mess up the entire voicing.

I think this is appropriate: :psyduck:
"NAILFACE" - spe
2006-06-12, 9:00 PM #2
Damn, I thought this track was going to be about this:
http://www.youtube.com/watch?v=0RI0dU3RbSw&search=army%20of%20lovers

...track... I've been recording all day as you can tell.
"Those ****ing amateurs... You left your dog, you idiots!"
2006-06-12, 9:09 PM #3
Nobody ever refers to a chord as a 'flat 11' because that makes no sense - like you said, it's the same as a major third. Generally with voicings you want to keep the higher extensions on top.

Quote:
E G D G# in order instead of E G# D G

it sounds HORRIBLE.


I don't think it's that bad. The tritone sound is very easy to hear...still sounds like a dominant chord, but it's a little pointless because the #9 is buried.
COUCHMAN IS BACK BABY
2006-06-12, 9:17 PM #4
yes the more i thought of it the more i thought "wtf b11 is just useless" but it still doesn't have that distinctive #9 sound when you play it the opposite way. it just feels like it has alot more tension to resolve. i guess a second will always sound wierd in the lower range of notes, when so close to the root. except in the right voice leading maybe...
"NAILFACE" - spe
2006-06-14, 1:44 PM #5
The reason that voicing doesn't sound as good is because there's a minor ninth interval in there (G and G# one octave higher)... which is a very dissonant interval, and usually sounds very bad unless the lower note of the ninth is the bass (as in say, C7b9, C/B).
But as you said, with proper voice leading it can be pulled off.
-Snootle

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