To further continue off Britt's response:
As far as the matter of sub-plots, I didn't mean to imply that ALl the sub-plots were unrelated tangents, and I actually find some of them interesting (such as the development with Antestarr). As for an example I'm familiar with (Game of Thrones), a reader is trusting the author that the parallel plots have some overall significance, and it's a trust very difficult to uphold even as a professional writer who has sole authorship over a work. When I suggest that we limit the subplots, I say that in part to make it simpler for us in some regard, and allow our efforts to remain focused. Do you recall Kiron Nightstrider, or Matthias, or heck, even that most of our current main cast of characters are technically dead? It's admirable to want to tie every loose end up as soon as possible, and it's difficult at best. I should also note that I believe a reader should NOT be expected to have read all of the NeS; just like in comic books or TV series like Doctor Who, it's always a first issue or episode for someone, and expecting them to know the whole backlog is a burden that should not be placed. I think it's more reasonable to assume that the reader has read at least the current page or story-arc, and references made prior should be called back economically. It's why I feel the improv guideline "keep it simple" should be followed.
Regarding Atlantis, I would just like to request once again that we not have any story involving Atlantis restored, brought back, what-have-you. Al knows one of my primary reasons for this, and it's a reason I don't wish to abandon yet.
As for Hero Force One, I considered them the equivalent of JLA, though X-men wouldn't be far off either (though if we're going with Marvel equivalent, I'd probably go with Fantastic Four or Avengers). I could see them being a SHIELD equivalent too, though, and allow for a little less of the American jokes.
The reason Heaven generally isn't described or such is a rather practical one: it's generally the "and they live happily ever after" place, a realm not fit for stories except as an end. In Hell, at least, there's precedent for heroes plunging into Hell to save someone or cause trouble or get the tour or what-have-you, though I do feel we've written FAR too much about stuff happening with and in Hell, and the idea of a revolving door does make it pretty pointless. I've found over-and-over again though that NeS writers do NOT like places where characters are trapped and often write them easily navigating in and out (8th Dimension, Dreamstate, Land of Story-Arcs Past, etc.).
I'd like to bring up, in regards to the Protectors of the Plotfractal, specially with Rachel and Evil Geb, that they ARE meant to be inter-changeable in their 'alignment'. It just happens that Rachel generally assists "Good" and Evil Geb assists "Bad" -- I think it diminishes their somewhat special quality to remain "legitimately" in a morally grey area if they're "meant" to be leaning towards one side or the other.
Regarding the Forgotten, while I agree that their relatively new status as a force to be (somewhat) reckoned with collectively should be resolved in the not-too-distant future, I WILL say that they shouldn't ever be "wrapped up" and never mentioned again. The Forgotten have become an iconic part of the NeS "mythos" so to speak alongside plotholes and the like, and it's a character quality that is continuously relevant to NeS characters.
Time-traveling is something I generally wish to avoid. I feel it's an over-abused element and that, in this case, isn't used well to push anything apart from "hey, look at these future versions of characters." There's no reflection upon the present state of things or a significant impact upon the main cast at this point, so it still comes off as superfluous to me at best.
Again, as for the Never War and my comparison to the Temporal Cold War in Star Trek, I too thought it SOUNDED cool when they first introduced it, and had trusted the writers to go somewhere with it. However, they didn't, and I feel it's a good parallel to the danger of writing this sort of thing in NeS as well. Too often, subplots get dropped by their own writers (I'm sure I'm guilty of this too, though I do my best to avoid it), and that's only one obstacle that arises from running a multitude of subplots.
To bring up a tangent with the Memory Lane story-arc, I want to know if you guys feel if we should consider ending it when they reach page 50. I had hoped that we could go through the whole of NeS up to this point, though with all the other parallel story-arcs going on (and thus not advancing at the page-per-post average I initially estimated), it's likely to drag on for longer than even 6 pages (the longest a 'story-arc' has gone for). I don't have a problem either way -- whatever would work better for the story at large. Even if we adopt page 50 as "the end" of this story-arc, we could certainly jump briefly to NeSquared parts if anyone feels it's absolutely vital regardless.
Finally, regarding Michael and Knowsoul: yes, Michael is a far more interesting character, in part because Knowsoul isn't really meant to strictly be a character but moreso a literary device or obstacle, like a personification of Death. I really have little problem if Knowsoul ups and "dies" this story-arc, never to be seen again -- I was simply trying to do what I felt was a needed merging of two very similar characters (Darkside and Tsolo) into the role of (character) Death that the NeS could use. Knowosul was there just to give a 'goal' for what would have otherwise just be characters idly putzing through memories. I definitely agree that Michael should probably become the antagonistic focus of sorts, as I could easily see him serving Knowsoul as Vader might serve the Emperor or as Gollum 'served' the ring/Sauron or how Agent Smith 'served' the interests of the Machines. (speaking of subplots that had mucked things up, how about Michael returning after his defeat by TLTE, eh?)
In any case, I look forward to how the NeS develops and intend to have fun with stuff in the immediate future, such as Losien and Amal's interaction and development individually and together.
As far as the matter of sub-plots, I didn't mean to imply that ALl the sub-plots were unrelated tangents, and I actually find some of them interesting (such as the development with Antestarr). As for an example I'm familiar with (Game of Thrones), a reader is trusting the author that the parallel plots have some overall significance, and it's a trust very difficult to uphold even as a professional writer who has sole authorship over a work. When I suggest that we limit the subplots, I say that in part to make it simpler for us in some regard, and allow our efforts to remain focused. Do you recall Kiron Nightstrider, or Matthias, or heck, even that most of our current main cast of characters are technically dead? It's admirable to want to tie every loose end up as soon as possible, and it's difficult at best. I should also note that I believe a reader should NOT be expected to have read all of the NeS; just like in comic books or TV series like Doctor Who, it's always a first issue or episode for someone, and expecting them to know the whole backlog is a burden that should not be placed. I think it's more reasonable to assume that the reader has read at least the current page or story-arc, and references made prior should be called back economically. It's why I feel the improv guideline "keep it simple" should be followed.
Regarding Atlantis, I would just like to request once again that we not have any story involving Atlantis restored, brought back, what-have-you. Al knows one of my primary reasons for this, and it's a reason I don't wish to abandon yet.
As for Hero Force One, I considered them the equivalent of JLA, though X-men wouldn't be far off either (though if we're going with Marvel equivalent, I'd probably go with Fantastic Four or Avengers). I could see them being a SHIELD equivalent too, though, and allow for a little less of the American jokes.
The reason Heaven generally isn't described or such is a rather practical one: it's generally the "and they live happily ever after" place, a realm not fit for stories except as an end. In Hell, at least, there's precedent for heroes plunging into Hell to save someone or cause trouble or get the tour or what-have-you, though I do feel we've written FAR too much about stuff happening with and in Hell, and the idea of a revolving door does make it pretty pointless. I've found over-and-over again though that NeS writers do NOT like places where characters are trapped and often write them easily navigating in and out (8th Dimension, Dreamstate, Land of Story-Arcs Past, etc.).
I'd like to bring up, in regards to the Protectors of the Plotfractal, specially with Rachel and Evil Geb, that they ARE meant to be inter-changeable in their 'alignment'. It just happens that Rachel generally assists "Good" and Evil Geb assists "Bad" -- I think it diminishes their somewhat special quality to remain "legitimately" in a morally grey area if they're "meant" to be leaning towards one side or the other.
Regarding the Forgotten, while I agree that their relatively new status as a force to be (somewhat) reckoned with collectively should be resolved in the not-too-distant future, I WILL say that they shouldn't ever be "wrapped up" and never mentioned again. The Forgotten have become an iconic part of the NeS "mythos" so to speak alongside plotholes and the like, and it's a character quality that is continuously relevant to NeS characters.
Time-traveling is something I generally wish to avoid. I feel it's an over-abused element and that, in this case, isn't used well to push anything apart from "hey, look at these future versions of characters." There's no reflection upon the present state of things or a significant impact upon the main cast at this point, so it still comes off as superfluous to me at best.
Again, as for the Never War and my comparison to the Temporal Cold War in Star Trek, I too thought it SOUNDED cool when they first introduced it, and had trusted the writers to go somewhere with it. However, they didn't, and I feel it's a good parallel to the danger of writing this sort of thing in NeS as well. Too often, subplots get dropped by their own writers (I'm sure I'm guilty of this too, though I do my best to avoid it), and that's only one obstacle that arises from running a multitude of subplots.
To bring up a tangent with the Memory Lane story-arc, I want to know if you guys feel if we should consider ending it when they reach page 50. I had hoped that we could go through the whole of NeS up to this point, though with all the other parallel story-arcs going on (and thus not advancing at the page-per-post average I initially estimated), it's likely to drag on for longer than even 6 pages (the longest a 'story-arc' has gone for). I don't have a problem either way -- whatever would work better for the story at large. Even if we adopt page 50 as "the end" of this story-arc, we could certainly jump briefly to NeSquared parts if anyone feels it's absolutely vital regardless.
Finally, regarding Michael and Knowsoul: yes, Michael is a far more interesting character, in part because Knowsoul isn't really meant to strictly be a character but moreso a literary device or obstacle, like a personification of Death. I really have little problem if Knowsoul ups and "dies" this story-arc, never to be seen again -- I was simply trying to do what I felt was a needed merging of two very similar characters (Darkside and Tsolo) into the role of (character) Death that the NeS could use. Knowosul was there just to give a 'goal' for what would have otherwise just be characters idly putzing through memories. I definitely agree that Michael should probably become the antagonistic focus of sorts, as I could easily see him serving Knowsoul as Vader might serve the Emperor or as Gollum 'served' the ring/Sauron or how Agent Smith 'served' the interests of the Machines. (speaking of subplots that had mucked things up, how about Michael returning after his defeat by TLTE, eh?)
In any case, I look forward to how the NeS develops and intend to have fun with stuff in the immediate future, such as Losien and Amal's interaction and development individually and together.
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